“I see!” said the blind man. But he could not see at all, he merely understood!
Earlier this month I visited the MONA (Museum of Old & New Art) in Hobart. An amazing venue!!!
It is owned, – lock, stock, & barrel – by David Walsh. His collection is extraordinary but perhaps not as extraordinary as the man himself.

David Walsh – F**k the Art, Let’s Rock n Roll
In one interview David Walsh identified with the angst faced by the character of Salieri in the Peter Shaffer play, Amadeus, also made into a film directed by Milos Forman – with F. Murray Abraham playing Salieri (and winning an Oscar for his performance).
Central to the film is “Salieri’s Curse” – the curse for Salieri is having the gift of understanding the supreme beauty of his art (music), yet being denied the talent to create anything that approaches the beauty he sees/hears/understands. And then being witness to the celestial talents of his young contemporary, Mozart, is a torturous punishment. (You should note that this characteristic of Salieri is fictional – created by Shaffer).
Anyway, the issues faced by Salieri in this play (and film), resonate with David Walsh (according to the interview). This curse seems to lie in a space that hosts a shadow. The space between understanding and talent, the idea and the reality, the conception and the creation … (forgive me TSE – ref Eliot’s poem, The Hollow Men.)
And within that space and from that shadow emerges the need to destroy the very beauty he covets – at least that is the result in case of the (fictional) Salieri.
David Walsh cultivates a far more generous and constructive outcome from the shadow. He has given a gift to the world and, in doing so, releases his own artistry in the shape of his amazing MONA and the collection it houses.